Jerry Saltz and the Future of the Critic-Artist

Jerry Saltz and the Future of the Critic-Artist

Collage by Kenny Schachter. Courtesy of Kenny Schachter. This story first appeared in the January 2017 issue of British GQ. The world has changed in the last five months since I wrote this. Much of Jerry Saltz’s medieval (over sexualized) mischievousness has been...

Miami Art Week

Miami Art Week

A rainbow ring in the clouds over Art Basel Miami Beach News reports leading up to the 10th iteration of Art Basel Miami Beach were more concerned with where to find the parties rather than the art. But the insurance value of the art clocked in at $2.5 billion, so...

Say Yes to the Art Boom

Say Yes to the Art Boom

Gerhard Richter, Abstraktes Bild, 1992. $ 1,248,000. Sotheby’s New York, May 10, 2005. $14,082,500. Sotheby’s New York, Nov. 9, 2011. Why do so many art people seem to be hoping for an art crash? Why can’t they accept that in these uncertain, unstable times art has...

Fair fatigue at Art Cologne 2012

Fair fatigue at Art Cologne 2012

A beauty shot of Kolnmesse, site of Art Cologne 2012 In 2008 I wrote an obituary for the Cologne Art Fair, and guess what? It’s still dead. Call it fair overload. Markets are driven by a degree of psychology: when stocks go down, the good, bad and ugly all get dragged...

The VIP Art Fair: Internet dating?

The VIP Art Fair: Internet dating?

Ai Weiwei, Colored Vases, 2007, at Gallery Hyundai, Seoul, at the VIP Art Fair I’ll say one thing for New York art dealer James Cohan’s new internet-only VIP Art Fair, Jan. 22-30, 2011 -- it was received with great fanfare, as if no one had ever encountered or sold...

Dick in hand

Dick in hand

Scott Reeder, American Dick, 2007, Oil on canvas, 101.6 x 76.2 cm At the most glamorous of the many fab parties leading up to Art 40 Basel, a museum director told how she’s gone on a day trip to the Venice Biennale, after which she went for a massage and was roused by...

I love Saatchi

I love Saatchi

The entrance to the Saatchi Gallery on Boundary Road, where it remained in residence from 1984 to 2003 First there was the austere, New York-quoting Saatchi Gallery on Boundary Road, akin to big museum halls, large and imposing with London artist Richard Wilson’s...

I kove Saatchi (Artnet)

First there was the austere, New York-quoting Saatchi Gallery on Boundary Road, akin to big museum halls, large and imposing with London artist Richard Wilson’s unforgettable oil-filled room, 20:50, tucked into a corner. Wilson’s work looked even more terrifying in...

Cologne Art Fair, An Obituary

Tumble weeds tumbling down the corridors of the 42nd Art Cologne fair, the oldest fair, even predating Basel on the first public day of attendance. Time used to have it where life expectancies weren’t anticipated beyond the early forties and history has repeated...

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